The peplos (Greek πέπλος; Latin peplum) was an ancient Greek women's garment made from a rectangular cloth, usually wool. Its upper edge was folded outwards to form an overfold, the apoptygma, and the cloth was secured at the shoulders. One side could remain open or be sewn; a belt changed the arrangement of the folds.
It was a body garment, not a cloak. The upper overfold distinguishes it from a chiton; a himation could be worn over either. The Roman palla was an outer wrap, so it should not be described as a direct replacement for the peplos.
A peplos could be belted or hang freely from the shoulders. The overfold reached the chest or lower; belt placement and cloth length altered the silhouette. Images show several arrangements, while sculpted folds do not always reproduce actual textile construction precisely.
The name occurs in Greek literature, but literary usage does not always identify one narrowly defined cut. The peplos did not disappear with the spread of red-figure vase painting: it remained visible in Classical art. On the Great Eleusinian Relief, for example, Demeter wears a peplos and himation, whereas Persephone wears a chiton and himation.
Athena's peplos, woven as an offering for the Panathenaia, had a special religious role. This ceremonial garment cannot simply be treated as everyday dress. Nor does white marble establish that all peploi were white: colour and decoration must be considered separately from a statue's surviving appearance.
Garments built on a comparable principle are known outside Greece. Northern European tubular wool dresses are sometimes catalogued as “peploi” by analogy: this is a modern description of construction, not proof of a shared ancient name or origin.
The National Museum of Denmark holds a wool dress from Huldremose catalogued as a peplos (D3505). Similarity to Greek clothing does not by itself make it Celtic. This separate dress find should not be confused with the clothing of the Huldremose woman: the museum describes her outfit as a wool skirt and scarf, two skin capes and traces of an inner garment made from plant fibre.
Reconstructing a tubular dress requires attention to the cloth structure, shoulder attachments and blousing. A similar silhouette does not establish identical weave, colour or wearing practices across regions.
Wool dress from Huldremose, Denmark, catalogued as a peplos. National Museum of Denmark, D3505; Iron Age. The name describes a structural comparison, not proof of Celtic attribution.
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