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Gladiator

Евсеенков А.С.

Gladiator (Lat. gladiator - "sword-bearer," from gladius - "sword") was a fighter in ancient Rome who battled similar individuals for the entertainment of the public in special arenas. Despite the name, gladiators could include not only warriors who used swords but also spearfighters, trident wielders, and so on.

The main reason for the emergence of gladiatorial games is believed by historians to be the adoption of a funerary ritual from the Etruscans. Both slaves and free people who fought with swords near a grave could be potential victims of human sacrifices. The strongest survived, while the weak perished, and this ceremony thrilled those present. Perhaps it was the love for this ritual that led to the development of gladiatorial games.

There is also another version of their origin, based on frescoes from Campania depicting a religious and ritual custom, as well as mentions of such games by Titus Livius. According to this version, it was customary in ancient times to kill captive enemies over the grave of a deceased noble warrior, offering them as sacrifices to the gods of the underworld. Subsequently, these cruel sacrifices likely transformed into ritual battles between warriors wielding gladii (swords). The first gladiators were called "bustuarii" (from "bustum" - a funeral pyre on which the body of the deceased was burned). This demonstrates the initial connection of gladiatorial games (munera) with funeral ceremonies, in honor of which the earliest recorded Roman spectacles were organized in 264 BC. They were held in conjunction with the funerals of Lucius Junius Brutus. Over time, gladiatorial games began to be organized for other occasions as well, such as religious festivals.

Many slaves voluntarily sought to join gladiator schools as it was a way for them to earn their freedom. In the gladiator school, novices faced rigorous training, and many could not cope with the heavy demands. Gladiators who performed well in the arena were awarded a wooden sword called "rudis" and ceased to be slaves, gaining their freedom. Many of these gladiators did not leave the arena but continued to fight as free men. It brought them money, fame, and the adrenaline rush that many craved.

In 105 BC, gladiatorial games were included among public spectacles. From then on, the state took control of this aspect of society's activities and entrusted its magistrates with the organization of the games. Gladiatorial games became the most beloved spectacle in the entire Roman state. This characteristic was often exploited by politicians who sought to rise to public office, as they could gain support from the people. In 65 BC, Julius Caesar organized games involving 320 pairs of gladiators. Such grand gestures greatly intimidated his political opponents. Lavish games became a reliable way to quickly gain the favor of the people and secure votes in elections. In 63 BC, Cicero proposed a law prohibiting candidates for magistracy from organizing gladiatorial games within two years before the elections due to Caesar's actions. However, no one could prevent a private individual from organizing such games under the pretext of commemorating a relative, especially if the deceased had bequeathed the organization of the games to their heir, which served as a formal way to bypass the prohibition.

Zliten mosaic from Libya (Leptis Magna). 2nd century AD

Classification of gladiators

The most common types of gladiators:

Rare types of gladiators about which little is known:

Specific types of gladiators:

Equipment

The equipment of gladiators varied significantly depending on their types, but the following elements were particularly common:

Reenactment

Before beginning the reconstruction of a gladiator's appearance, it is necessary to choose their type to avoid creating an "abstract" gladiator. Gladiator outfits are no less costly than legionary outfits, and the main cost is attributed to the helmet due to its complex production. It should be noted that gladiators did not wear footwear during battles, but since sand arenas are relatively rare in modern events, it is permissible to create caligae as a stylization element. Therefore, the minimum set for a gladiator that is necessary for any type would include a subligaculum, balteus, and caligae. The rest of the elements should be selected depending on the type of gladiator being reconstructed. The least expensive kits would depict gladiators who did not use helmets, such as retiarii. However, when choosing a gladiator type, it is recommended to consider your preferences in terms of offensive weapons rather than the complexity of reproducing the outfit. If you prefer classical swordsmanship, the best choices would be secutor, murmillo, Thracian, or provocator. If you favor the use of a spear, then hoplomachus would be suitable. If you enjoy fighting with two weapons, then dimachaerus or scissor would be appropriate. It is also not recommended to attempt reconstructing gladiator types about which little is known. It is best to focus on the classical depictions described in the section "Most Common Types of Gladiators."

Gladiatrix-murmillon, reconstruction
Provocateur, reconstruction
Retiary, reconstruction

Related topics

Gladius, Balteus, Manica, Ocrea, Subligaculum, Shield, Provocator, Crupellarius

Literature

Gladiators-Konstantin Nosov. pdf

Arena and Blood - Goroncharovsky.pdf

Gladiators-Paolucci F. pdf

Goroncharovsky V. A. Arena and Blood: Roman Gladiators between Life and Death. - St. Petersburg: Peterburgskoe Vostokovedenie, 2009. - 256 p. - (Militaria Antiqua). — 2000 copies. — ISBN 978-5-85803-393-6.

Losev A. F. Gladiators / / Hellenistic-Roman aesthetics of the I-II centuries A.D.-Moscow: MSU Publishing House, 1979. - pp. 45-55.

Matthews Rupert. Gladiators / Translated from English by N. V. Mikelishvili. - Moscow: Mir knigi, 2006. - 320 p.: ill. - ISBN 5-486-00803-1.

Paolucci Fabrizio. Gladiators. Doomed to death / Translated from Italian-M.: Niola-Press, 2010. - 128 p.: ill. — (Secrets of history). — ISBN 978-5-366-00578-4.

Hoefling Helmut. Romans, slaves, gladiators: Spartacus at the Gates of Rome / Translated from German, afterword. and comm. by E. V. Lyapustina. - Moscow: Mysl, 1992. - 270 p.: ill. - ISBN 5-244-00596-0.

Junkelmann, Marcus. Familia Gladiatoria: The Heroes of the Amphitheatre // Gladiators and Caesars: The Power of Spectacle in Ancient Rome / Eckart Köhne, Cornelia Ewigleben, Ralph Jackson. — Berkeley — Los Angeles: University of California Press, 2000. — P. 31—74. — 153 p. — ISBN 0520227980.

Wisdom, Stephen. Gladiators: 100 BC–AD 200. — Osprey Publishing, 2001. — 64 p. — ISBN 9781841762999.

Nossov, Konstantin. Gladiator: Rome’s bloody spectacle. — Osprey Publishing, 2009. — 208 p. — ISBN 9781846034725.

Gallery

Mosaics and frescoes

Mosaic with gladiators from Villa Borghese. 3rd century AD

Mosaic with gladiators. Dar Buc Ammera Villa. Tripoli National Museum. Second half of the 1st century AD

Mosaic with gladiators. Dar Buc Ammera Villa. Tripoli National Museum. Second half of the 1st century AD

Mosaic with gladiators. 1-3 century AD

Mosaic with gladiators. Dar Buc Ammera Villa. Tripoli National Museum. Second half of the 1st century AD

Mural with an amphitheater. Found in Pompeii. National Archaeological Museum, Naples. 1st century AD
Mosaic of gladiators in a Roman villa in Nennig, Germany. Early 3rd century AD
Battle of gladiators, ca. 250, floor mosaic in a Roman villa. Nennig am Moselle, Germany.
Battle of gladiators, ca. 300, floor mosaic in a Roman villa. Villa Borghese Museum and Gallery, Rome, Italy
Mosaic from Roemerhalle, Bad Kreuznach (Germany). 2-3 century AD
Zliten mosaic from Libya (Leptis Magna). 2nd century AD
Mosaic of gladiators in a Roman villa in Nennig, Germany. Early 3rd century AD

Bas-reliefs

Bas-relief in honor of the gladiator games in the city of Teate (Chieti). Colosseum Alley, Rome, AD 20-40

Bas-relief in honor of the gladiator games in the city of Teate (Chieti). Colosseum Alley, Rome, AD 20-40

Bas-relief in honor of the gladiator games in the city of Teate (Chieti). Colosseum Alley, Rome, AD 20-40

Bas-relief of bustiarii from Amitern. 3-2 century BC

Bas-relief with gladiators. 1-2 century AD

Bas-relief with gladiators. Necropolis in Kibyra, Burdur Museum. 2-3 century AD
Bas-relief with gladiators. Italy, Rome. 2nd century AD
Bas-relief with unidentified gladiators, presumably secutors. Vm Bonnefantencollectie. 190-220 AD
Bas-relief with battles with the participation of secutors from the necropolis in Kibir. It is kept in the Archaeological Museum of Burdur (Turkey). 2-3 century AD
Bas-relief with a gladiator fight from Varna. Varna Archeology Museum. Early 3rd century AD
Sculptural portrait of a Roman gladiator; with a face, 1st century AD, Museum of the Roman Theater in Verona

Glass products with gladiators

Colored painted glass with images of gladiators, found in the Roman fort Vindolanda (Vindolanda), near Hadrian's wall, Northumbria. A.D. 230-250
Colored painted glass with images of gladiators, found in the Roman fort Vindolanda (Vindolanda), near Hadrian's wall, Northumbria. A.D. 230-250
Colored painted glass with images of gladiators, found in the Roman fort Vindolanda (Vindolanda), near Hadrian's wall, Northumbria. A.D. 230-250
Painted glass tumbler with gladiator fights. The Metropolitan Museum of Arts. 2nd century AD
Find from the Dakhla oasis, Ismant al-Harab (Roman Kellis). A vessel made of pale green glass, hand - painted with enamels. Height 26.1 cm, maximum diameter 9 cm. 4th century AD
Find from the Dakhla oasis, Ismant al-Harab (Roman Kellis). A vessel made of pale green glass, hand - painted with enamels. Height 26.1 cm, maximum diameter 9 cm. 4th century AD
A glass bowl with the image of gladiators. Metropolitan Museum of Art. 50-80 AD
A glass bowl with the image of gladiators. Metropolitan Museum of Art. 50-80 AD
Glass depicting gladiators, 3rd century AD Trier.
Glass depicting gladiators, 3rd century AD Trier.
Glass depicting gladiators, 3rd century AD Trier.

Figurines

An unidentified gladiator type. The Cleveland Museum of Art, Cleveland. Mid-1st century AD
Gladiators, 2-3 century AD, 64 mm, lead. Private collection, Munich.
Terracotta statue of a gladiator. Taranto, Contrada Corti Vecchie. Late 1st century BC, early 1st century AD
Statuette of a Gladiator, Possibly a Secutor. Private Collection. 1st-2nd century CE.

Oil lamps with gladiators

Image of a gladiator on a lamp. Römisch Germanisches Museum. 1-2 century AD
Lamp with gladiators. Musée gallo-romain de Fourvière, Lyon. 1-2 век н.э.
Lamp with gladiators. Musée gallo-romain de Fourvière, Lyon. 1-2 век н.э.
Lamp with gladiators. Musée gallo-romain de Fourvière, Lyon. 1-2 век н.э.
Lamp with gladiators. Musée gallo-romain de Fourvière, Lyon. 1-2 век н.э.
Fragment of a lamp with gladiators. Musée gallo-romain de Fourvière, Lyon. 1-2 век н.э.
Lamps with gladiators. Musée gallo-romain de Fourvière, Lyon. 1-2 век н.э.
Lamp with a gladiator. Musée gallo-romain de Fourvière, Lyon. 1-2 век н.э.
Lamp with a gladiator. Musée gallo-romain de Fourvière, Lyon. 1-2 век н.э.
Lamp with a gladiator. Musée gallo-romain de Fourvière, Lyon. 1-2 век н.э.
Lamp with gladiators. Musée gallo-romain de Fourvière, Lyon. 1-2 век н.э.
Lamp with gladiators. Musée gallo-romain de Fourvière, Lyon. 1-2 век н.э.
Lamp with gladiators. Musée gallo-romain de Fourvière, Lyon. 1-2 век н.э.
Lamp with a gladiator. 1-2 century AD
Oil lamp with a gladiator scene. The defeated gladiator is carried away from the battlefield. 1-2 century AD